Saturday, October 1, 2016

WHITCHCAD/Tom Snarsky



the final reflection,
how shallow, puny,
and imperfect are efforts
to sound the depths
in the nature of things


***


the inscrutable will
humming like false
teeth on the train tracks
directed at you, love—
you and you alone


***


a slick wombat coin
minted under your
mincemeat tongue—
terraforming in all
possible directions


***


the gentle steam
excuses itself to go
throw rocks at your
window—the harm
is already done


***


Mary, sand witch of
God—hear me hope
to sing the way your
mother may have
(without being)


***


—is there a way
to see heidegger’s
(lower case h)
love of poetry as
an embarrassment


***


when I try to think
the wheels fall off
of the red tricycle—
my botched mind—
and gently roll away


***


under the blotted
light of late day—
i metamorphose
to take the place
of the mineshaft


***


the final reflection,
how shallow, puny,
and imperfect are efforts
to sound the depths
in the nature of things





*WHITCHCAD takes its title from a common misrendering of A.N. Whitehead’s name in telegrams due to his messy handwriting. The italicized text in the poem is taken from Whitehead’s Process and Reality.

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